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Live Tutorial Sites. Production. Learn how to finish tracks. IRC Chat #ableton on irc.freenode.net. Just wanted to share something I recently discovered - I'm sure a lot of you have heard the workflow tip that you should use the Utility gain knob to automate volume changes on tracks (i.e.
Volume buildups and fades, changing volume of verse/chorus, etc.). This frees the track volume to be used for tweaking overall adjustments to the level without having to mess with potentially changing a bunch of automation points.
I've been using this technique for a while, but was always frustrated that the Gain knob only goes down to -35db, which is not complete silence. I have no idea why Ableton set it up this way. Very frustrating when trying to create gate effects or fade in and out of silence.
The solution - add an Audio Effect Rack to the track, and automate the chain volume, which DOES go to -Inf. I even went so far as to create a basic 'Channel Strip' effect rack that also contains EQ and compression, which gets added to every track by default. I assigned macro knobs for track volume, low/high cut, and one-knob compression.
Makes life so much easier having these common tools ready to use instantly on any new track! Edit: A few people requested my Channel Strip device so I wrote a blog post expanding on this topic including a link to download the rack:. I think you missed the point.
The idea is that you have a complicated mix with lots of volume automation. And you realize you want the entire track 2dB quieter. If you only have one volume control - this can be tricky, but if you have two volume controls - one for automation - and that affects the volume for the entire duration of the track, then it is easy to drop the whole track down 2dB. You just pull the track master down 2dB - but all the relative automation from the other volume on the track remains intact.
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